Of mittens and gussets...

Behold! You see before you my first forays into the art of mittenry (is that even a word? If not, it should be). I'd made mittens and gloves before, with varying levels of success. Ysolda Teague's Snapdragon flip top mittens nearly broke me, I found the combination of cabling, working in the round and adding the thumb in so hard. In the event I finished one on about my fifth attempt, then had to wait a whole, cold fingered year before I could face tackling the second one. I had a few other pairs of simpler gloves and mittens under my belt but had never thought about designing them.
When I did come to making up my own mitten patterns the main psychological block was the 'thumb gusset'. Just the sound of it, with its undertones of old-fashioned, no-nonsense technical efficiency filled my self-taught heart with fear. I am in no way a technician, either when it comes to knitting or design, and was sure I'd make a mess of it.
A bit of research into other patterns though and I got a handle on it- apologies if you know all this already, but here's what I learned: Essentially a thumb gusset is a few stitches you reserve between the front and the back of the mitten, from which you 'grow' your thumb. The front of the mitten needs to be slightly narrower than the back in order that your thumb gusset sits slightly forward on the mitten for a better fit. At the appropriate point you increase stitches at the start and end of your thumb gusset so that the mitten gets wider to accomodate where the lower knuckle of the thumb sticks out. When you reach the base of the thumb you separate off your gusset, knit it up to thumb length, sew it up, rejoin the front and back and carry on up the mitten, sighing with relief that you have tackled the gusset.
Anyway, once I'd done it the first time- including managing to make the ribbing on the cuff flow smoothly into the main part of the hand- I could see how much potential there was for the fun-sized spaces of the front and back of mittens, and another pair found its way onto the sketchpad.
Great Oaks From Little Acorns Grow,shown above, and Treacle Toffee, below, are sneak previews of patterns I'm hoping to tell you more about soon. The green yarn is from Blacker Yarns. It's their Pure Dyed British Wool, which was out of stock on the site last time I checked, but they have other, very similar options. I think I've mentioned the orange yarn before: Maya DK from Eden Cottage Yarns. This one was in stock last time I looked, but beware, once you visit you'll find it very hard to resist the sweetshop of heavenly colours that Vikki creates!

Pattern Development

The thing about knitting is that there are so many avenues to explore. I have only had the briefest of brushes with spinning, for example, dabbled a little with machine and wet felting but never tried dyeing. I've experimented with a number of different techniques and things to knit, but still have an extensive list of 'must try' possibilities.
The danger, with only so many hours in the day and the reality of having life and family beyond the sticks and string, is that new avenues of investigation distract you from actually knitting. This has certainly been the case for me since I caught the designing bug. I'm knitting or doing knitterly things for at least a few hours every day, but since most of the time this involves sketching, swatching, writing up submission proposals and patterns or making samples I end up with little that I can show here. In addition, I have cold feet and am perfectly capable of making the felted slippers I've been wanting for ages, but never seem to find the time for making them.
I'm not really complaining though, as having yarn support (free yarn! Even if you do have to knit it up then send it away again) dropping through the door will surely always be a joy and I love puzzling away at new ideas to fit mood boards put out by potential publishers. It's even paying off in slightly less conventional ways, as the colourwork idea here is one I'm developing for a friend in exchange for help with what will hopefully be improvements to my online presence- watch this space.
All this said, I hope to have more projects to show here soon and in the meantime I'm going to put on an extra pair of socks and enjoy the buzz of creativity.

Tiny Tea Leaves for a Growing Girl

Is it normal to envy the wardrobe of your toddler daughter? I have to admit to having wished in the past that I could do ditsy prints and stripy tights the way she does and now this Tiny Tea Leaves is bringing on the green eyed monster even more.

It wasn't as if I didn't have enough projects in progress, all of them design development or commission samples. Hell, one of them is even a sweater that's destined for little M whenever I finally get around to it- being a large 'frog and re-do' job it keeps getting bumped for smaller projects with newer and therefore more exciting yarn. But she's outgrown her summer cardigans, and a friend had given me this pattern and I had more than enough Rowan British Sheep Breeds DK in Brown BFL from an idea for a pirate design boys sweater that I have struggled with, frogged and in the end given up on (possibly for good, not least because the boy in our household is resolutely opposed to hand-knitted garments of any kind).

It's a pattern that well deserves its popularity. Easy to follow, even when picked up and put down in favour of other projects or the occasional tokenistic domestic chore, the result is lovely in its simplicity. I can see myself making further versions for her as she gets older, and different yarns could make it anything from a fluffy party dress cover-up to a sensible school cardigan.
As for the yarn, well first of all it's held up remarkably well considering the several times it's been knitted, frogged and re-knitted on its journey from pirate to tea-leaf. The small amount of frog-based kinking that could be seen on some of the stocking stitch parts of the body disappeared without trace with blocking and the finished result is soft and springy. As is so often the case with colours created by Mother Nature herself, it would be hard for a dyer to come up with something better than the warm greyish-brown. The sheep also still makes itself known in the scent, faint but comfortingly present even when the cardigan is dry.

When it came to choosing buttons I could quite easily have gone for the natural options of wood, shell or bone, which would have suited the yarn. I felt that this might make it feel just a little bit too serious for a one-and-a-half year old and that colour was needed instead. These very pale pink ones seemed to have just the right amount of delicate prettiness for a little girl.

I say little, but the smallest size on the pattern is listed as 2T, which in theory should be on the large size for M. I think the yarn used was a bit lighter than the recommended and I have to admit that rather than matching the gauge, I just knit on the right sized needles for the yarn, made the smallest size and hoped for the best. It seemed huge when on the needles and I thought it would end up with a lot of growing room, but it appears my baby has been growing up without me noticing it, and actually the size is perfect for her right this minute. Now I just have to find room on my knitting 'To-do' list to make the grown-up version for me.

Wovember- in praise of Wool

When it comes to the work of Kate Davies I have to admit to being a bit of a stalker. I love her knits- I've never had a sweater that gets me more compliments than Owls , I more or less live in Manu and a Sheep Heid is on the cards for the near future. More than that though, I love her passion for design and real wool. Is there another type of wool? The more fibre aware among you may well wonder, but as Kate's 'Wovember' campaign highlights, there is an increasing tendency on the High Street and beyond to use and abuse terms like 'wool', 'woollen', 'tweed' and so on whenever it suits the marketing aims and regardless whether the actual fabric content has ever known a sheep.
Kate's blog, which I wanted to mention before November was finished (although Wovember is an ongoing cruade), includes some fascinating, thought provoking and at times anger-inducing information about the role wool has had in the textile industry of the past as well as how it needs to be respected and cherished in the future. Whether you're a knitter or not, I would urge you to visit and read- if nothing else the beautiful photographs of gorgeous designs and Scottish landscapes will soothe and inspire.

Pattern Development

You could say that my knitting life has undertaken something of a transformation recently. This time last year I was dipping the tiniest toe in the water of coming up with and sharing my own designs. Since enjoying a small amount of success, I'm a woman possessed and I seem to have projects under development everywhere, from sketches and proposals, to swatches and samples and things that still only exist in my head. Some of them promise much then just don't work out, others change and evolve and end up completely different from the original idea, while others just seem to fly straight away. It's a fascinating and exciting new process for me.

Inspiration has to come first, of course, and it would be hard not to be influenced by the wonders of the late autumn Lake District- the leaves pictured are caught in a beck running down the side of Yewdale, near Coniston. Further inspiration arrived in the post last week, in the form of this glorious 'Autumn' coloured yarn from Eden Cottage Yarns. Eden Cottage is the new name for Wild Fire Fibres, reflecting dyer Vikki's recent move to Cumbria's Eden Valley. The baby alpaca yarn is so very soft and colours speak for themselves really.

A recent charity shop find was the great vintage Paton's design seen above, which I picked up mainly for the interesting stitch pattern. I'm not using it in a sweater as the leaflet shows (although you never know, one day we too may be a family clad in matching jumpers like the ones in the picture!) but have found that it adapts really well to the project I'm working on. I'll reveal more at a later date, I hope.

Make do and Mend cushion- in print!

Way back in the summer I started using up some odds and ends of Rowan Felted Tweed DK to make a cushion cover. I wanted the chance to try out some stitch patterns from a lovely old World War II book I had and I posted some of the pics on this blog.

Who would have thought that an idle wander through the Ravelry forums would lead me to stumble across a call for submissions for a new knitting magazine. My cushion idea seemed like the sort of thing they were after- picking up on trends (vintage/mid century interiors) and portable (the front is a patchwork of squares that make good 'take along' projects).

With nothing to lose, I drew my sketch, wrote my proposal, scanned some samples (which don't exactly look promising do they? Imagination was needed evidently!) and waited. Next thing I knew the email came to say 'yes please' and there I was with my first commission. So today I went into one of my local supermarkets (here, in the back of beyond!) and bought a copy of 'Knit Now' magazine with my very own pattern in it. More (very lovely) pics are on Ravelry here.

More Knit, less Natter

So here I am, back again. In the moments during my break when I would normally have been blogging I was thinking about what I wanted Audrey's Tea Shop to be from hereon in. When I began it I was a mother of a one-and-a-half year old, recently uprooted and relocated to Cumbria and still in a whirl of disorientation and shock at being a long way from family and friends, and suddenly without the job I loved. The blog proved a great way for me to focus on all the positives of full-time parenting and living in this lovely part of the country and probably even encouraged me to do more as I was writing about it.
Today that toddler is big enough to be at Nursery school and his little sister is now one-and-a-half. While I still don't have much in the way of work our daily routine has picked up in pace and I don't have the same time to spend doing or writing about the stuff I have before. In addition, I have to admit to finding myself at times missing the chance to be part of the moment for the sake of getting a photo to share on the blog. Meanwhile, over the last few months, I've found certain aspects of my creative work taking greater precedence- in particular knitting and knitting pattern design.
For these reasons I've decided to keep writing for Audrey's Tea Shop, but to shift the emphasis onto knitting. I hope to share what I'm designing and making, who and what is inspiring me and other knitty bits and pieces. I might not write as frequently as I have in the past but hopefully the quality will be higher. I'm also planning to post the occasional free pattern and host some giveaways.
In the meantime, I'm off to cast on...